Category: Church of England

Living For

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I am reading a book about the history of my new employer, Leeds Church Institute (LCI). History can be fascinating, both for the strangeness of how life was once lived and, occasionally, for the sudden resonance of a view or action which appears entirely modern.

The quarter century leading up to WWI is described in the book as “the golden age” of LCI. Wealth increased for some, and for others new legislation reduced working hours, meaning that in both cases more time and resources were available for recreation; discussions; hobbies; voluntary work; or religious associations. (The text “Eight Hours for Work, Eight Hours for Rest, Eight Hours for What We Will” was paraded on a union banner in 1889). It was the time when public schoolboys and undergraduates came to Leeds to live in “settlements”, often found in the poorer quarters of the city. Of course, this could be experienced as highly patronising and there’s a powerful quote in the book about LCI’s history from an older woman in one of these areas who declared: “I do so hate being ‘lived among‘”.

As we approach Christmas her words ring in my ears and remind me that the Incarnation was more than a gap year for an earnest deity. Public schoolboys didn’t renounce their learning, connections or resources when they came to reside among the poor. They were no doubt billeted in reasonable accommodation, forming a small community of young people who shared privileged backgrounds. These communities was set in a wider context of poverty; disadvantage and squaller. I can imagine many of these settlement workers, in future years, burnishing their credentials by referring to the time they “lived among” the poor. A year of their youth that bought the claim to a lifetime of social credibility.

“For all the rhetoric of ‘citizenship’, ‘democracy’ and ‘fellowship’, the governance of the settlements, at least in their early years, was in the hands of their patrician founders rather than their ‘members’.”

Freeman, M. (2002). ‘No finer school than a settlement’: the development of the educational settlement movement. History of Education, 31(3), 245-262.

The Word made flesh gives up language. The babe in the manger has no worldly connection that will hoist him out of misery. The infant son of a carpenter must play with the shavings on the workroom floor, and discern his own path through all the perils and possibilities of life. He must learn words and imbibe the teachings and practices of religion. As a young man driven into the desert, the vocation of Jesus is tested in the wilderness of the world, alone with his demons. Preaching, teaching and healing as a Rabbi he will come to challenge both temporal and spiritual authorities. Standing resolute before the powers of coercion and compromise, resolved in his calling and identity, will become the path to his destruction.

This is not living among. It is living with; it is living as; and it is living for.

Christian Mechanics

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When I left my previous employment I had no idea what would come next. One of my colleagues asked me: “what are you going to do?” Without thinking I replied, “God knows!” Perhaps this response emerged out of a rather hollow bravado, or a faith which was more certain in words than it was in reality. In the first instance, rather than look around for another job, I decided to have a sabbatical. These are often taken by clergy every ten years or so but, because I was employed outside the Church, I’d never taken one in the thirty years of my ordained life. In the summer of 2023, I began what became a fruitful, fascinating, and rewarding sixteen months of space, reflection and study. A friend once referred to me during this time as a “flaneur’” which I needed to look up (“someone who saunters around observing society”). Fair point.

One of the fruits of this time was reading and learning more about a figure associated with Yorkshire and York Minster, Laurence Sterne. I knew of Sterne’s writing from undergraduate days and the many links with this mercurial vicar of the 18th century found in Yorkshire – not least the Shandy Hall Museum – became a focus of work to produce a Lent book. I ventured out by bicycle to visit various small churches connected to the novelist, not least Sutton-on-the-Forrest. Its pulpit steps, once used by Sterne, feature on the cover of the book.

While not looking for any permanent role, the post of director for Leeds Church Institute came to my attention. Perhaps this was the answer to “God knows”? In any event, I applied and was appointed. The Institutes were part of a movement in Victorian England which offered education and increased opportunity for people from poorer backgrounds. The first phase of these were the Mechanics Institutes. When the Rev. Walter Hook orchestrated the creation of the Leeds Church Institute it has been suggested that he was building a facility to develop “Anglican Mechanics”. In other words, to equip church people with a greater depth of knowledge about their faith and how to live it.

Arriving early on Monday morning (keen to get started) I walked around the city centre. In a small homage to the original home of the Institute, in Albion Place, I stopped for a few minutes to read the Leeds Civic plaque recording its creation. The Institute was ‘The powerhouse behind the advancement of religious and secular education on the principles of the Church of England’. The former home of LCI is in the main shopping area of the city, now decked out in all its Christmas glitz and glamour. I thought about what life must have been like there in the 1860s, when the building was opened. At that moment someone looking fairly dishevelled, who had perhaps spent the night on the streets, came and asked if I would buy him breakfast. I did. Walking a short distance further another man overtook me, apparently talking to himself, when he suddenly launched into an abusive tirade against a woman walking in the opposite direction. She stopped, I stopped, and we exchanged a look as she shrugged her shoulders and asked aloud: “what was all that in aid of?” The man continued on his way, still talking, gesticulating, and going at a good pace. Having checked that she was OK, the two of us carried on in our separate journeys.

Perhaps things have not changed as much as we might imagine since the founding days of LCI. During a phase of exponential growth in population, the philanthropists and civic leaders of Leeds faced a colossal task in addressing the basic needs of poorer communities. Today we would no doubt find their approach patronising and – possibly – coercive. The workhouses were in full operation and the poor had little access to either education or the opportunities that might change their circumstances. Walter Hook, the celebrated Vicar of Leeds, played his part in helping to found new churches and schools. His approach was allied to the principles of the Tractarian Movement, High-Church Anglicanism, but he had arrived at these independently of the movement. Unlike the dons and academics sheltering in ivory towers, Hook was the most significant figure of Anglo-Catholic reform in the parishes. Firstly, as a priest in Coventry, then in Leeds, he advanced the cause of High-Church liturgy and social action, enduring various attacks while he sought to fulfil his sense of calling. Newman wrote to him:

“You are in the thickest fire of the enemy; and I often think how easy it is for us to sit quietly here…”

Hook had not chosen an easy path, but his dedication to parish ministry and commitment to education has left an enduring legacy. It’s why LCI is still here in Leeds, in 2024, working to advance theological reflection and act as a creative fulcrum where spirituality, justice, and learning, meet and flourish. It’s mission remains both a daunting task, and an exciting enterprise.

  • At the head of this Blog: Old and new together – Dock Street, Leeds, close to Leeds Church Institute

This Mortal Life

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Pitched into the bleakness of winter arrives the season of Advent. In the northern hemisphere the beginning of Advent accompanies the slow march into darkness. Shorter days; longer nights; a steady drop in temperature. The themes of Advent – death; judgement; heaven and hell – match the somber mood of gloomier days. Threaded through topics of great moment, the story of the incarnation is pulled ever nearer. Alongside the readings in church of end-times and apocalypse, every village, town and city displays the brightness of festival lights. The cynical and despairing may shun these illuminations as simply a commercial gimmick; the cold work of retail-marketing to boost sales in a flagging economy. Yet for many of us, somehow, the glimmer of hope these lights celebrate, the baby lying in the crib, can never be given its proper price. There is something here, something to which Advent leads, which can’t be contained by the measure of this world, or our desire to conform everything to our own likeness.

It can often feel, as it does this year, that there is temerity in setting out lights as the nights draw in. How dare we suggest, imply or hint, that something might come to defeat the darkness? It is the ridiculous hope written down by John in the Prologue to his Gospel: “The light shines in the darkness, and the darkness comprehended it not”. Like Handel’s taunting rendition of St Paul’s words asking Death where its sting has gone, the hope that light might eventually overcome personal darkness, and the darkness of our world, feels an outrageous folly. Perhaps this is so because “the bleak midwinter” can feel so tangible, close and all-encompassing. Nordic countries have recently issued booklets to their citizens about surviving war. Sometimes it is so much easier to embrace fear and resignation, than fasten our eyes on something hardly visible; beyond the horizon; too good to be true.

Advent candle-bridges are a tradition in the windows of homes along Minster Yard in York.

Advent is not for everyone. The images of apocalypse and the ending of time are neither comfortable nor reassuring. “Like a thief in the night”. We cannot be permanently vigilant – we need to sleep. The metaphor suggests that the completion of things will come when we are oblivious to its approach. There is no warning or alarm. We will be shaken our of slumber and the myths with which we live will dissolve in the presence of the Divine reality. In another sections of Handel’s Messiah, we are reminded of the “refiner’s fire”. Who may abide the day of his coming?

Advent reminds us that we cannot control the appearance of sudden and defining events. We are always only a heartbeat away from immortality, and our own encounter with what Sterne’s character Tristram Shandy refers to as “this great catastrophe” which will – at some point – overtake us and bring our experience of this world to an end. Of course, following Friday’s vote in the UK parliament, it appears that there will be limited control, for some, about when that moment arrives. However, as one person said during the debates about this issue, it may also give rise to “internal coercion” and perhaps lead people to opt for something which does not reflect their personal wishes about either motivation and timing.

“We are standing upon the edge of a precipice, with nothing but the single thread of human life to hold us up”.

From a Sermon delivered by Laurence Sterne, quoted in A Sterne Lent 2024

Advent is – and should be – disconcerting. Angela Tilby’s excellent reflection in the current issue of The Church Times draws attention to Archbishop Laud’s prayer for the church. It is a succinct and impassioned petition for truth; peace; purity; and reform in the institution. All of these virtues and corrections are needed now almost as much as they were required in the 17th century. Canon Tilby concludes her piece with a simpler prayer which she wrote some years ago, but one which feels as pertinent as ever for 2024:

As light in the darkness,
As hope in our hearts.
Come, Lord Jesus, come.

Angela Tilby, The Church Times 29 November 2024

  • The photograph at the head of this blog features the underside of York Minster’s three metre wide Advent wreath, with the interior of the central tower seen in the centre.

Holding Still

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Over the past few days I drafted a blog, as I do most weeks. It was largely a litany of despair about the state of the Church of England and the nadir of leadership and direction to which we appear to have sunk. Today is the final Sunday in the Church’s liturgical year, but it might also feel like the dying days of a once great institution. Perhaps, if its demise would ensure more people’s safety and sanity, there will be those who think that extinguishing the final embers would be an act of kindness for all concerned. The Church has failed in one of its primary obligations – but I cannot quite abandon the idea of what it might be.

Instead of a dismal diatribe about the Church’s failings (mine included) I have decided to take a different tack. The “idea of what it might be” includes resurrecting the often unseen but invaluable work of spiritual and pastoral care. In early 2020 I was looking for a poem to accompany some reflections for a retreat, but couldn’t find anything that would fit. Given this sad lacuna in English Literature I decided to pen my own verse and, for better or worse, I offer it on this final Sunday of the year as the slightest intimation of what at its best has been, and might still be, in the life of the Church’s sacramental pastoral care.

Holding Still

This work of holding;
of the the task of being
still, in order to hear.
To shift weight without

disturbance; to keep
the hushed, spare –
space; the silence into
which another speaks.

It is not nothing;
this attending and
anointing; this taking
and bearing and blessing.

To touch what has died
with the strength of love;
to see in ashen form the
hope of resurrection.

The image at the head of this blog is a photograph of a ceramic sculpture by Antonia Salmon, entitled “Holding Piece”

A Time to Reform

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In September 1957 my parents got married. Earlier in the year my grandfather had been asked to become ‘Vicar’s Warden’ at the local Parish Church. He accepted. A local tradesman and Rotarian, Robert’s family was slowly advancing in material circumstances and civic standing. When he became a churchwarden it was news (albeit locally). The gazette carried a report that he “will be sworn in by the archdeacon or chancellor at the annual visitation”. In the 1950s, perhaps especially in counties like Lancashire, the Church of England was a notable presence in most communities. I attended the church primary school across the road from the substantial sandstone bulk of St Michael’s, erected in 1822. On Ascension Day we had a half day – one of many minor observations that peppered the year and kept the school, town and community connected. I’m sure the growing number of working parents often cursed the annual appearance of what must have appeared to be a rather random and inconvenient half-day!

When I began ordained ministry in 1991, also at a parish in Lancashire, it seemed that every church had at least its own vicar if not a curate as well. A nearby incumbent, in a more rural parish, took most of one day a week to visit a local hospital using public transport. Perhaps it was an inefficient way to spend his time, but I bet there were some interesting conversations along the way. In the parish where I served we had over 80 baptisms in one year; a memorable Holy Week with one or more funerals every day; and a church hall that bore the brunt of heavy usage from uniformed groups, parish thespians and the might of the Parochial Church Council. There was certainly no shortage of work to do or activities to support. By the time youth group had ended on a Sunday evening, on a day that began at 7:30 am, I was very happy to slump into a comfortable chair.

Those days have gone – for better and for worse.

Had the Church of England stopped evolving in the 1990s it is hard to know what would be left today. Perhaps, if it had continued to invest and support as much parish ministry as possible, the numbers with which Church House and the Archbishops’ Council seem preoccupied would be little different from those we see today. When people bemoan churches that appear to be stuck in the past, or unchanging, there is good evidence around that these same churches are often doing very nicely. Of course, nothing remains genuinely unaltered because the people change, and so does society. The ordination of women as priests and bishops was a matter of both faith and justice, and has added fresh qualities and fulfilled vocations at a time when both were in decline.

We know from many different reports that in the past egregious wrongs were perpetrated by clergy, and laity, under the guise of virtue, holiness and a perverted theology. I suspect that what we know about is the tip of a very, very large iceberg. All too often clergy have been a law unto themselves and, when something has been raised, benefited from the collusion of powerful patrons. This lack of accountability has deep roots. When I researched the history of institutional spiritual care I came across the case of a Victorian workhouse chaplain, Frederick Pocock, who neglected his charge with impunity due to the unwavering support of his bishop. The Board of Governors of the institution was powerless.

At one level, it seems astonishing that the Church has failed to learn a lesson that goes back deep into its history. In another sense, for rogue clergy, the cover-ups and collusion were (are) a desirable facet of the mercurial behaviour of a Medieval institution embedded in the modern world. Perhaps it is unsurprising (although it was startling at the time) that when I told my grandfather that I was exploring a sense of vocation he immediately left the room to be sick. Looking back I wonder, as a churchwarden, what he had seen or heard that caused such a reaction? He never said.

There is much about Anglican reason, tradition and spirituality that appeals to me. At its best there is a generous and pastoral care for communities and the “frowsty barn”, as Larkin put it, that is often at the physical centre of towns and villages. Sometimes it is the spiritual centre as well – but not always. It feels that this is the moment when England needs to decide the fate of its Church. Whether through a Royal Commission – as Martyn Percy suggests in today’s Observer – or a different process, some definitive solution is needed to ensure the safety and ongoing purpose of the Church. Many of the attractive characteristics of the Church I grew up with have gone – but can something new emerge that preserves the best of it for the future? The 500th anniversary of the Act of Supremacy is on the horizon (2034). Perhaps even Thomas Cromwell might feel that now is the right time to begin reshaping the kind of Church he helped establish, to fulfil it’s calling in a new era?

“To reform church and state you must deal with the populace.”

Mantel, H. (2011). Wolf Hall (Vol. 1). Fazi Editore.

‘Why Her Brethren?’

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We are in the season of sanctity. First comes All Saints, followed swiftly by All Souls, as we remember those who have lived and died in years gone by – either people we have known, or people extolled by the Church as exemplars of faith. Of course, like so much else, sainthood is bestowed according to the fashion, politics and preferences of church leaders. For example, there are fewer female than male saints. Even so, not everyone makes the cut, nor should they. Part of the premise of my new Lent Book for 2025 is that sometimes the Church forgets those from whom it still has much to learn.

The 18th century vicar and author Laurence Sterne was not a saint, if by that we mean someone faultless in this life. The trouble with Sterne was not so much that he had faults, but that he was very candid about them. In his letters and books there is bawdy and innuendo; passion and compassion. Sterne is all too human and rejoices in a conviction that God had given him the capacity for joy which it would be a sin to deny. In the brief span allotted for his life (he died aged 54) there is an echo of Andrew Marvell’s reminder to His Coy Mistress that at his back he hears “Time’s wingèd chariot hurrying near”. For Sterne, life is too brief and precious to be lived as if it were “one cold eternal winter”.

When I renewed my interest in Sterne’s work, there were certain features that gave his writing a remarkably contemporary resonance. Corresponding with the black British abolitionist Ignatius Sancho Sterne pulls himself up short when he finds himself writing about the kin of a black character in his novel on:

“behalf of so many of her brethren and sisters, came to me—but why her
brethren?—or yours, Sancho! any more than mine?”

Laurence Sterne, Letters

Why indeed? Sterne has the capacity and honesty to recognise his inherent – thoughtless – separation of people on the basis of ethnicity. The plea for a recognition of our God-given and common humanity runs throughout Sterne’s work. When it comes to gender differences Sterne is equally pointed in describing the ‘logic’ which denies a women authority over her own body or, come to that, even the right in law to be regarded as a blood-relative of her own children. Wit is the tool which Sterne uses to excavate the absurdities of his day, bringing to light the thin veneer of social etiquette that enabled the continuation of ridiculous conventions. At the same time, living at Shandy Hall in rural North Yorkshire, Sterne is enmeshed in the society and behaviours of his day. He knows this and uses humour to escape the passive acquiescence to which most conformed. Little wonder that friends encouraged him to get his preferment before he embarked on satire. Wit that came close to the mark and exposed conventions for what they were, could cost you a mitre.

Section from “A Flap Upon the Heart”; one of two new drawings by Rob Oldfield commissioned for the book.

A Sterne Lent offers the opportunity to keep company for a while with this witty, mirthful, digressive and somewhat doubtful parson. The book is immersed in an age that can feel very different from our own, yet contains themes that speak at times with remarkable contemporaneity. Above all, Sterne offers a lively voice whose strength is uninhibited by the usual constraints of ambition. His daring portrayal of the world he inhabited has the saintliness of a child-like disposition to tell the truth, even when it comes at a material cost. Sterne’s accurate depiction of human society bubbles out from his quill and left an enduring impact on the development of the novel. I hope that this curious and intriguing book will provide readers with a glimpse into another England, yet also one that touches with humour on human traits that persist within both church and society.

Liberation

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Sometime in the mid-1980s, while studying theology as an undergraduate, my tutor told us that the new language of our discipline was Spanish. He was reflecting on the fact that for most of the 20th century it had been German, but now the rise of Liberation Theology had shifted the axis of theology to the Southern Hemisphere. A few years later, while working and studying in Argentina, I asked my Spanish tutor whether we might read A Theology of Liberation by Gustavo Gutiérrez. I’m not sure my tutor enjoyed the experience of helping me understand the technical and unusual language of the writing which Gutiérrez embarked on in the late 1960s, but it was undoubtedly memorable for both of us! Last week, this Peruvian priest, sometimes called the “father of liberation theology”, died aged 96.

At the beginning of an interview with the Bishop of Blackburn before my ordination in 1991 there was a moment in silence during which he perused my file. Suddenly the bishop latched onto a comment about my interest in Latin America and exclaimed: “Liberation Theology – in my Diocese!” This has seldom been a theology which has lifted the hearts of prelates, and he probably felt fairly safe by stationing me in the leafy suburbs of Preston. Nevertheless, even there, I managed to cause a little trouble now and then, not least over the ordination of women and by developing a social responsibility group in the parish.

Poverty in Peru continues to be widespread despite progress achieved before the onset of the pandemic. Today, seven in ten Peruvians are poor or are at risk of falling into poverty. Picture taken during a visit to a social development project in rural Peru, 2022.

During my time in South America I observed that capitalism flowed more sluggishly than in Europe. It felt as if the aspirations of Western living were there, and some of its attributes and mechanisms, but it seemed that there was simply too little resource to make it happen. Comparisons can be odious, but this felt like the periphery of a system which served the North well, by sacrificing the best interests of the South. To note the fragility of structures in Latin America is not a criticism, but a recognition of the consequential dependency which the wealthy countries maintain with poorer nations. If the blood of finance flows more slowly in the South, it nevertheless continues to serve the interests of the North.

“The poor are a by-product of the system in which we live and for which we are responsible. They are marginalized by our social and cultural world”.

Gustavo Gutiérrez, The Power of the Poor in History

The scale, power and vested interests of capitalism feel insurmountable. No doubt many see it as the least-worst system for organising resources and creating successful societies. The truth is that this domestic security in the West – which is far from perfect – is paid for by many other communities across the world. The natural environment is ravaged and abandoned; societies are left in a state of daily hunger; the consequences of climate change are denied by powerful leaders. As is almost always the case, the least well-off shoulder the worst excesses of system that perpetually widens the gap between wealth and poverty.

Resignation in the face of injustice was never an option for Gustavo Gutiérrez. Like so many pioneers he experienced the scepticism, doubt and hostility which innovation brings. At one point he seemed destined for a formal rebuke by Catholic bishops – if not the Vatican – but this was headed off following an intervention by the eminent Jesuit theologian Karl Rahner. The influence of Gutiérrez continued to be felt across Latin America, and elsewhere, throughout his life. It will continue after his death. His passionate concern for the authenticity of the Church, by renouncing privilege and choosing instead to advocate for the poor, was always rooted in the Gospel and the Jewish Scriptures. Solidarity with the poor was the cri de coeur of Gutiérrez, as well as the product of his theology and lived experience. Ultimately, by the movement of the Holy Spirit in the world, the mission of God to which Gutiérrez bore witness will find fresh hands and voices to continue the work of liberation, which the Peruvian saw as the fundamental nature and purpose of Christ.

Wings of Longing

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Recently I was prompted to ponder whether angels have beards. I was visiting St John’s church at Howsham, in the Harton Benefice, north east of York. In the church’s porch is a carving of an angel sporting a beard (below). It was a sight that stimulated thoughts about angels, our tendency to anthropomorphise these heavenly beings, and what our long history says, across many faiths, about angels in the 21st century. As it happens, the appearance of angels has a lot to do with our imagination and how people conceived of beings who can span the divide between the secular and the sacred.

Today, on the Feast of St Michael and All Angels, it might be helpful to recall that many theologians across church history have not viewed angels as corporeal. Instead they have been regarded as expressions of Divine thought and agency; the light of heaven that breaks into the darkness of this world. Of course, in the history of art they are consistently represented as beings akin to people, albeit extra-shiny and with a pair of wings. Their expressions are typically impassive, like good servants they betray neither joy nor sorrow about the news being conveyed. The notable exception to this is the antics of the heavenly host at the Incarnation, joyfully praising God and generally whooping it up.

Thomas Aquinas, the Angelic Doctor, famously wrote of the “Bread of Angels, made the bread of people”. Panis angelicus is a stirring hymn of praise to God for the grace of sharing with humanity food which is the everyday fare of heaven. Consequently, at the Eucharist, angels are always referenced in the liturgy. As bread and wine are taken and consecrated, the material becomes one with the Divine, just as it did when the Word became flesh. This enacts a significant truth of Christianity: that in Christ the world is being redeemed. It is a central tenet of orthodox Christology, expressed in the Athanasian creed, that Jesus was perfectly divine and perfectly human. This was not God and a man sharing a room! The presence and witness of the angels in the liturgy expresses this fulfilment of the secular in the sacred. In the birth, death and resurrection of Christ, humanity is truly “ransomed, healed, restored, forgiven”.

“The beast taken” Revelation 19:20. York Minster Great East Window

Angels are not beings confined to churches and places of worship. The biblical references to them are most often in the secular, encountering people out in the world. Their strangeness and seemingly random appearances inspired the author of the Letter to the Hebrews to remind us that in our reception of others “some have entertained angels unawares”. During a time as poet in residence at Bradford Cathedral, Diane Pacitti published a collection of poems entitled Dark Angelic Mills. In the final entry, ‘Angels in Bradford’, Pacitti reflects that angels come in many guises. Perhaps as ‘kindertransport children, Asian workers, Syrian refugees, Rohingya Muslims’. In her poem, just as each church had its angel in the Book of Revelation, she invokes the spirit of St John to call into being the Cathedral’s angel:

Let it spread
huge-feathered wings over this hut of stone.
Let the song of wonder weave into its prayers
and seep into its silences. Angel-voice,
speaker of demanding truth, send out this church
to affirm the holy in what seems most broken.

Dark Angelic Mills by Diane Pacitti, Norwich, Canterbury Press, 2020.

The Church should always be the place which drives the heart of our participation in God’s mission of love for the world. We are drawn in, revitalised, and expelled back into the pathways that take us to both places of obvious significance, as well as to the peripheral and the neglected. In the ‘hut of stone’ where the church gathers we should encounter again the moment when the secular and the sacred meet: ‘the end of all symbols’ and the place where we are fed with the bread of angels.

Something Art Can Do

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A recent visit to the Auckland Project exceeded my expectations. The investment in a range of cultural, historic and artistic exhibits in this market town has been extraordinary. The excessive scale and grandeur of the Bishop of Durham’s official residence has been transformed into a visitor attraction, with a new gallery of world faiths added to the property. While the timing of the project’s opening was ill-fated, coming just months before the first lockdown in early 2020, it appears that in recent years the ambition to make the former mining town a major tourist destination has been realised.

In the episcopal residence, Auckland Castle, rooms have been themed according to many of the former bishops. This means that the furnishings are contemporaneous with the figure being celebrated, and in some cases an audio or visual loop of material is featured. For example, in remembering the controversial prelate David Jenkins, there is an extract of an interview in which he speaks about his understanding of faith and the central tenets of Christianity.

Close to the centre of Bishop Auckland, just a short walk from the Castle, there is the Spanish Gallery. Billed as “the UK’s first gallery dedicated to the art and culture of the Spanish Golden Age”, it is an impressive collection. The connection that underpins this addition to the town lies in the famous paintings which fill the walls of the Bishop’s dining room in the Castle. These are Jacob and his Twelve Sons by Francisco de Zurbarán, bought by the Bishop of Durham in 1757. It would be hard to find any collection of Spanish art in the UK, outside of London, which could compete with what has been brought together in this northern market town.

“This world class gallery, which is spread across four floors and housed in two stunning Grade II listed buildings, is fast becoming a must-see for art enthusiasts across the North East of England and beyond”.

Reflecting on both the gallery and the Castle, there is an interesting juxtaposition of inspiring artwork and the more mundane “management of religion”. Bishops have no doubt inspired many people over the centuries but, for much of the time, they have turned the wheels of religion to maintain the institution and – in the case of the Church of England – upheld the status quo. This is particularly true for the prince bishops of Durham, who often served as the State’s enforcer in the north. Such a role entitled the bishops to the magnificence of a stately home, great wealth and the other privileges of office. Some, including Bishop Westcott and David Jenkins, subverted these expectations by siding with the miners during industrial disputes. However, they appear to have been the exception rather than the rule.

“The Bishop was loudly cheered by the miners, who had assembled in large numbers in the streets of Bishop Auckland; and he has every reason to congratulate himself on the results of his intervention”.

The Spectator, “The intervention of the Bishop of Durham (Dr. Westcott) in the Durham miners’ strike” 4 June 1892

The question my visit provoked is about the relationship between the bureaucracy of faith and the creativity which often inspires and disturbs our taken-for-granted expectations. Finding them sitting so closely side-by-side at the Auckland Project was an unusual experience. When Bishop Richard Trevor bought the paintings for the Auckland Castle dining room, they were not for general viewing. This was an experience for the elite and the Castle and grounds exuded wealth and privilege. While the Auckland Project has opened up these treasures (for a reasonable price), and located them close to several narratives about previous bishops, it begs a question about the role of the Established Church. Many major works of art have been commissioned by wealthy prelates, and some of these continue to provide inspiration today, but how is a far less mighty Church maintaining its task of providing space and inspiration for wide variety of people to engage, contemplate and be changed? There was a glimmer of hope about this at the end of the faith exhibition where major works by the contemporary artist, Roger Wagner, are hung. Wagner is someone who knows how transformative art can be in the journey of faith:

“It was the first thing that brought a sense of personal connection with the Gospels – which I’d studied, but never seen that you could enter into them in that kind of way. Something art could do which I’d never envisaged before”.

Roger Wagner speaking to The Church Times in 2013.