Churchyards are often depicted as ghostly places. A kind of hinterland between the lit windows of a “frowsty barn”, where prayers to the eternal are stacked, and the nearby houses and shops containing all the business of the living. Perhaps this cordon sanitaire around a church makes a fitting threshold between the mortal and the immortal. The hope of eternity and the certainty of the grave. They are always places that incline me to contemplation as I read each brief epitaph. How is a life of 90 years reduced to so few words? The dates of our arrival and departure; our names; perhaps a verse of Scripture or of sentiment. The information leads me to say, in whispered tones: “how young”; “how old”; “how many”.

Of course, this orderly arrangement of death feels a far cry from the magnitude of human loss recalled in the 80th anniversary of the liberation of Auschwitz (in Polish: Oświęcim). Tomorrow marks 80 years since its liberation. During my ministry I have spoken with two people who were prisoners in that utterly dreadful place. One of them is still alive. The other, who converted to Christianity not long after the war, had lost none of her ferocity when I encountered her in 2016. Seldom have I met someone so passionate for justice; so committed to the common good; and so entirely unafraid of asking difficult questions. Such souls are the pillars of a forthright and determined decency which upholds the fabric of caring communities.

I have been to Auschwitz once. During the time of its operation there were no graves dug to bury each victim of the wickedness which thrived in this place. Murder on an industrial scale. I wonder how far outside its evil centre the graveyard would extend if each person had been given a decent burial? Miles upon miles in all directions. A cemetery that would be visible from space. Instead, the scale of destruction is remembered in the piles of shoes; hair and other remains of the horror carried out by one people against another. On the day we visited, standing by the remains of the camp’s cremators, as dusk fell, the recitation of prayers came as an expression of hope in the face of an atrocity whose remembrance had left us dumbfounded.

I fear that as the last survivors of this terror leave us, we are entering a phase when history may be repeated. It was the legacy of liberating the concentration camps, and the truth about them which shocked the world, that gave energy to so much humanitarian work in the second half of the 20th century. There was an air of determination that human beings must never be treated this way again by any state. Tragically, they have been and they are, but our tolerance of the intolerable seems to be growing. Like so many in Nazi Germany who had doubts about the regime, we wring our hands and turn away. The questions and demands are too great. We’d like to help but…

In the entrance to Leeds City Art Gallery there is a painting by the artist Jacob Kramer (1892-1962). Kramer was born on the eastern edge of Ukraine, then in the Russian Empire, and spent part of his life working in Leeds. His painting “Hear our voice O Lord our God” was given to the Gallery by the Jewish community of the city in 1920. The text relates to one of Judaism’s most important prayers. This theme of the work reflected the reason Kramer fled Russia: the Pogroms that followed the killing of the Tsar. In the painting the widowed woman offers an agonising cry and an aspect of despair. It brings to my mind the words of Jeremiah chapter 31:

A voice is heard in Ramah,
lamentation and bitter weeping.
Rachel is weeping for her children;
she refuses to be comforted for her children,
because they are no more.

Let us remember, not to despair – but to act.