They are peppered across the landscape of Swaledale. The stone-built barns that are sited away from the farms, designed to reduce the transport of hay over difficult ground and enable the cattle to be fed from supplies close by. On the other side of the Pennines, in the Ribble Valley, the poet Glyn Hughes was offered a more modest structure, yet equally remote. For a year he used a stone bull-box as a base for writing poetry. This followed his diagnosis of cancer, and the book of poems to emerge from the experience was to be his last. He saw this small volume of work as the spiritual dimension of his healing.

These two kinds of agricultural structures suggest a long history, often filled with the hardship of rural living. There were undoubtedly precious days of warmth and relaxation but, for most of the people most of the time, life was a struggle against the elements.
The less you possess, the more they are
not decorations but what is more needed: icons
requiring as icons do small space to give up their worth –
this water jug, this stove, this lamp, this spade,
this small table and chair.
All of it “junk” in any place but hereExtract from A Year in the Bull-Box: A Poem Sequence by Glyn Hughes, published by ARC Publications, 2011.
For Hughes, going back was the best way forward in coming to terms with the short span of life he had left. His year in the bull-box brought him back to basic things, albeit with the knowledge of the modern world close at hand. Reviewing the poems in The Guardian Simon Armitage wrote: “I don’t ever remember being as moved by a book of poems”. Which is quite something from the Poet Laureate.

A year of rudimentary living gave Hughes a re-kindled experience of childhood – encountering the smallest things with new attention and fascination. Laughing, perhaps, at the folly of holding back stream water as much as he might have wished to stem forever the tide of illness which would soon overtake him. What might have seemed isolating, bleak or depressing became precious months of connection with the seasons of the year. A spiritual stillness in the midst of an ever-turning world.
I was immortal then, not seventy but
a lithe, inquisitive
child again.Extract from A Year in the Bull-Box: A Poem Sequence by Glyn Hughes
Play is often dismissed as childish when, what so many of us need, is the spirit of wonder and recreation that childhood brings. Many years ago I heard Gordon Mursell speak at a Diocesan Conference. His theme was God’s playfulness and, in relation to this, he recounted a story from the life of Samuel Johnson. This great lexicographer, who had a reputation for wit and wisdom, had walked to the top of a hill. When he arrived at the summit he declared to his companions that he was determined to take a roll. When those with him worked out what he meant they tried to dissuade him. However, Dr Johnson said that “he had not had a roll for a long time”, and proceeded to empty his pockets before descending the hill horizontally.
We should never lose the ability to be playful explorers of the world. For Glyn Hughes a safe return to the most basic necessities of life became a doorway to re-enchantment. A place to distill what truly matters in life and to experience and contemplate a world we did nothing to create, but to which we remain inextricably a part.


